VERA HOAR'S PHOTOS from ARTISTS WITHOUT WALLS' "COLLABORATION NIGHT" at THE CELL THEATER

Photos from Artists Without Walls’ “Collaboration “Night.”

All photos were taken by Vera Hoar.

The names appear above the photos.

 

Marni Rice

1425552_10201453209265010_1227646147_n

The audience including Brendan Connellan and John Moran.

999805_10201453015060155_165099237_n

 

Annette Homann

960065_10201452974699146_949228900_n

 

Michele Cetera and Noel Lawlor

1012770_10201453212385088_239895020_n

Cynthia Neale

1454968_10201453008139982_1969671078_n

 

 

Joseph Goodrich

1454766_10201453016780198_1779029401_n

Deni Bonet

1471339_10201452991459565_976700355_n

Tzila Levy, Niamh Hyland, Kathleen Frazier

969288_10201455896332185_1699128454_n

The O’Connell Clan

1472781_10201452972099081_1874170188_n

ARTISTS WITHOUT WALLS' MEMBERS on the TOWN: WEEK of 9/29

Kill the Bid! email 88kbBrendan Connellan’s play KILL THE BID! will have its final performance today, Sunday, at 3pm. at Theatre Row, 410 West 42nd Street. Tickets are $21.25 (including Theatre Restoration fee) but AWoW members and friends can go to  www.broadwayoffers.com and punch in the code TRAWOW and pay  $18.25in the box. Phone 212-239 6200 or 800-432 7250

 

 

 

 

 

copy-New-MbiraArtists Without Walls presents its “Showcase at The Cell Theater,” 338 W. 23rd St., NYC. Monday, 7pm, September 30th. Evening includes actors Jack O’Connell, Nancy Oda and Mary Tierney, author Honor Molloy, singer/songwriters Tara O’Grady and Sasha Papernik, the soulful sound of mbiraNYC’s music of Zimbabwe and more.  

 

 

 

Screen Shot 2013-09-25 at 6.52.56 AMThe plays of Kate McLeod, who also is the event’s producer, and Tzila Levy will be performed at the Bacon Theater Festival, Thursday Oct 3rd, 6:30-9:00pm at the Ding Dong Lounge, 929 Columbus Avenue, NYC. Tickets are $25, which includes one bacon mac and cheese, 1 dessert and 1 glass of wine.  Click here for tickets

 

 

 

 

 

 

Muhammad AliNiall McKay and “Irish Film New York” is back with its third annual slate of top-notch contemporary Irish cinema.  All films screen at the Cantor Film Center of New York University on East 8th St. The festival kicks off Friday October 4th with “Run and Jump” starring Saturday Night Live’s Will Forte and directed by the Oscar-nominated Steph Green.  AWoW members can buy discounted $10 tickets (normally $12) for any of the films included in the festival by using the promotional code: OFIG. For more information on the critically acclaimed films included in this year’s festival and to watch trailers and buy tickets go to http://www.irishfilmnyc.com/tickets/

 

 

 

1290048_10151704859783795_287581210_n-1New York Irish Center Concert Series hosts Tara O’Grady & her Black Velvet Band, Friday, October 4 at 8:30pm. 10-40 Jackson Avenue, Long Island City, NYC  Advanced tickets: Tara O’Grady Regular Tickets $25  Tara O’Grady Seniors/Students/Unemployed $15  If you missed Tara’s CD launch, this is your chance to hear her full band perform favorites off all three albums.  Doors open at 7:30pm.

 

 

 

 

 

 

 

 

 

 

 

"SPOTLIGHT ON" SCREENWRITER TZILA LEVY


467461_10150870067789809_806916944_oWho is Tzila Levy?

 

I am a screenwriter and playwright, 34 years old, born and raised in Israel. In December 2012 my wife ‘imported’ me to New York and since then I’ve been adjusting to my immigrant status.

 

In Hebrew my name means “One who gives shelter.” I am named after my late grandmother, a holocaust survivor who suffered the horrors of WWII, a time when many were desperately seeking shelter. More than all, I hope that in some way I’m embodying the meaning of my birth name.

 


299295_10150258798738795_4216781_nWhat are you currently working on?

 

I’m trying to raise money for my play “The Second Invasion of King George III,” a site-specific play to take place at Governors Island. The play begins with the resurrection of King George III, who returns to America in order to liberate its people from the flawed and faltering contemporary regime. Liberation, however, is not peacefully achieved. The King’s army takes the audience as prisoners of war and over the course of this hour-long military operation the audience members are forced to endure the physical and psychological realities of war.

 

I’m also writing a play commissioned by an Israeli director. It’s inspired by the latest Israeli government decision to change the portrait on the money bills to those of the greatest Hebrew poets. This decision is very ironic, since the current Israeli government is the most capitalistic government Israel has ever known, and those poets were extreme socialists. This irony gives me the opportunity to discuss on stage the gap between money and ideals, materialism and spiritualism. The discussion is facilitated by examining the poets’ works as well as their motives.

 


321091_10151434301949809_509211600_nWhat honors have you received for your filmmaking?

 

“The Israeli Cinema Testimonial Database” a project I produced for several years, received The Art of Cinema Award, from the Israeli Ministry of Culture and Sport.  

 

I was the winner of the Tel-Aviv University pitching contest in 2007, and was a finalist at the 2007 Tel-Aviv International Student Film Festival Screenplays Contest.

 

Who are the filmmakers you admire?

 

Christopher Nolan. He is a master at the craft of storytelling. All good stories are riddles, but the challenge is to present your audience with a riddle they hadn’t encountered yet. Nolan does this brilliantly.

 

I also admire the many anonymous screenwriters of the major film studios of Hollywood’s Golden Age, who gave us “Casablanca”, “Singing in The Rain”, “The Wizard of Oz” and so many other great films. These unknown screenwriters were employees of a complex industry; many times they wrote only a single draft and had no further influence on the final script. But in a miraculous way, this system worked and created some of the best movies known to this day.  

 


1168_36479578794_8355_nWho or what is your greatest inspiration and why?

 

It is hard for me to choose one that is the greatest; I find that in different periods of life I have different inspirations. Throughout my film studies I was very inspired by the movie “Hedwig and The Angry Inch”, by John Cameron Mitchell. It had the perfect combination of great music, humor, sensitivity, clever storytelling and directing, but more than all boldness. It gave me the courage to set free crazy ideas I had and write them down. Until this day, my best pieces of writing are those in which I dare to be bold.

 

The current piece of work that inspires me is the show “Sleep No More.” As with this work, I wish to create a theatre that constitutes an experience for its audience, which is beyond the text and the dramatic principals. I still don’t have a thorough answer for how it’s done, but I’m exploring it and it fascinates me.   

 


398292_10150780107889809_381823974_nWhat have you learned from screenwriting that also applies to life in general?

 

Every change in life requires a metaphoric death in order to rebirth as a changed person; every protagonist in every story goes through this cycle. Once I realized this, it became easier for me to go through changes in life. I try to see difficulties not as a downhill slope, but rather as an episode in a cycle of change, in which I grieve for what I have lost, yet I anticipate the resurrection that follows.

 


620700_10151134520588795_1841250195_oWhat are the top five things you’d like to accomplish in the next five years?

 

  1. I have two ideas for television series, one for a sitcom, and the other for a dark drama. I hope that I could have at least one of them produced.
  2. Write a monodrama about ‘The Jehoash Inscription’ (an archeological artifact, that is allegedly the first and only proof for the existence of the first Jewish Temple, but until this day it’s considered a controversial mystery, one which even the court couldn’t decide whether it’s genuine or not).
  3. Before I studied screenwriting, I studied sociology. Whenever I edit my scripts I’m astonished at how many sociological theories can be implemented to the dramatic structure and improve the script. I would love to explore this further, maybe even write a book on the subject.
  4. Establish a LGBTQ youth writing workshop. I wish I had such a group when I was a teenager, where I could express my feelings without being afraid of what others might think. I would love to provide such a safe writing environment for other youth.  
  5. Become a mother.


988627_10151717608844809_1653012088_nWhat was the best gift that someone gave you that inspired or facilitated an interest in your art?

 

It wasn’t exactly a gift; it was a rented VHS cassette of “The Sound of Music” that my parents brought home when I was six. That is when I fell in love with the cinema, the character of Maria, the voice of Julie Andrews, the music and the landscapes of Salzburg sucked me into a fantasy world. I realized how exciting the cinematic experience could be and I looked for it everywhere. Looking back, that was when I started to develop my artistic taste

WHAT THEY'RE SAYING ABOUT "ARTISTS WITHOUT WALLS"

 Why become an Artists Without Walls’ member? Here’s what some of our friends are saying:

 

Eimear O'Connor
Eimear O’Connor

“The atmosphere is electric; it encourages creativity, imagination, and very importantly, friendship and discussion between like minds amongst the audience and the performers. Everybody is welcome at Artist’s Without Walls.” Eimear O’Connor, Ireland, author, Sean Keating: Art, Politics and Building the Irish Nation.

 

Jack O'Connell
Jack O’Connell

“This is a note of thanks for supporting my efforts through pictures and words these past months. I’ve been working as an actor for at least twenty five years now and I’ve never before been involved in anything quite like this.  AWoW is a unique blessing.  So happy to be a member.” Jack O’Connell, actor, New York

Koro Koroye
Koro Koroye

 

“Artists Without Walls feels like home to me. I just feel like I belong there.” Koro Koroye, poet and spoken word artist, Nigeria.

 

Jim Rodgers
Jim Rodgers

“I’m always amazed at the talent AWoW gathers, and I’m  honored to share the same stage with such talented artists. Once again AWoW proved they are the United Nations of the NYC cultural scene at NYC’s “Living Room.” The performers and audience included folks from Germany, Israel, Egypt, Nigeria, Puerto Rico, Ireland and the United States.  Great night!” Jim Rodgers, writer and attorney, New York

 

Carl Capotorto
Carl Capotorto

“Thank you so much for allowing me the opportunity to present to the group, last night.  And I was delighted to read a few pages from my book Twisted Head for the wonderfully diverse and highly sophisticated audience. It’s great work that AWoW is doing!” Carl Caportorto, “Little Paulie” in the Sopranos, New York

 

Colin Broderick
Colin Broderick

“It was a privilege to read for a packed house at the Artists Without Walls’ Showcase at The Cell Theatre. It feels like home to be in the midst of such talent and support. Artists Without Walls is a family that I’m extremely grateful to be a part of.” Colin Broderick, author That’s That, Belfast, Ireland and New York.

 

Barbara Rick
Barbara Rick

“It was great to see AWoW in action once again at Lehman College doing what it does so beautifully – making great art accessible and connecting artists with each other and with new audiences.” Barbara Rick, filmmaker, New York.  

 

Tzila Levy
Tzila Levy

“I was very impressed by the talented individuals I met when I attended one of your “Showcases.” I would love to become a member and participate in the upcoming showcases. I am a screenwriter and playwright from Israel, with professional experience in the Israeli film and theater industry.” Tzila Levy, filmmaker, Israel. 

 

Ed McCann
Ed McCann

“An enthusiastic, standing-room-only crowd filled the Cell Theater last night — an evening showcase of writing, acting, music, and dance. Founders Charles R. Hale and Niamh Hyland’s focus on the interests of the group’s membership suggests that members will shape AWoW’s development — an “open source” approach that foreshadows a future of diverse and experimental performances spanning multiple artistic disciplines.” Ed McCann, writer/producer/editor, New York