Guen the fighterWho is Guenevere Donohue?   


Still figuring that one out.  So far I’m an actor, playwright, singer, director & visual artist from the Bronx.   I spent half my youth growing up in the lower Hudson valley, Beacon and Poughkeepsie NY.


What are you working on at the moment?


I’m acting in, Passing Through, a new six character play by Tristan Grigsby, which is also my NYC directing debut.  It’s exciting watching the incredible actors we have take my ideas and make them into their own, make them work so beautifully.  This production is a gift, poetic, kind, funny and challenging.  I’ve never seen anything like it.  I’m learning a lot.  Constant work on singing keeps me busy as well. 


Do you have upcoming events you’d like people to attend?   


Yes, Passing Through is running at Theatre for the New City through April 28th 


Otto & Henrietta standingWhat is your favorite theatrical work?


Favorite?  Ehh,  that’s not a fair question for the moving mind.  However…

In the 1990’s I saw, Le Cirque Invisible, a conceptual mini-circus comprised of three persons.  They created amazing stage images, acrobatics, and clowning. They had a beautiful family-troop connection, (Exponential Ensemble) Victoria Chaplin, her husband Jean-Baptiste Thierrée, and when I saw it, their son James Thierrée.  Such imagination and beauty I had never seen on stage.  It changed me, the way a masterwork of painting can change you.  James Thierrée is now doing his own original work, and that is thrilling as well.


Who are the actors and playwrights you admire?


The film director John Sayles is top of my admiration list.  He is a true independent voice.


I could list hundreds of actors.  It’s really hard work to be good at this.  I admire the ones that keep going deeper, who strive to make the acting seamless and invisible.  


I’ll name a few:


David Strathairn is incredible.  Micheal Chumpsty is my vocal inspiration for stage. Raul Julia, John Hurt, Pacino, Peter O’Toole, Gena Rowlands, Yves Montand, Jay O. Sanders, Bill Irwin, Fritz Weaver, Peter Faulk, Shirley Knight, Judy Dench, Austin Pendleton, Ben Kingsley, Meryl Streep, James Dean…but these you recognize. 


Constance in KrackI have even more admiration for all the unknown actors really struggling in Downtown Theatres rushing from day jobs to make curtain, those that spend every waking hour working to make it better, get it right, go deeper.  If that fine stew of actors did not exist the ones that rise to the top could never become so good.


I admire Playwrights who challenge the audience to think, and think again.


Samual Beckett, Tennesse Williams, O’Neill, Shakespeare, Joanna Glass, Valclav Havel, Lanford Wilson, Horton Foote, Marie Irene Fornes, Athol Fugard, Suzan-Lori Parks, Sam Shepard, Edward Albee, Enda Walsh, Tom Stoppard, Pinter…  oh, there are too many, and not enough.


Who is your greatest inspiration and why? 


Pete Seeger. I met him, and began singing with his Beacon Sloop Club Singers, when I was 10 years old.  He is tough as nails, committed to his ideals and a great musician.  Very few people in this world stand by their principles no matter what comes at them.  Pete always walks the walk.  He never just talks the talk, as you hear many do these days.  He also has a very rare and genuine kindness.  Miriam Makeba’s up there in my book too.



What are the top five things you would like to do with your life?


  1. Sail across the Atlantic Ocean in a not too large boat.
  2. Travel around North America on horseback.
  3. Live in a Gaeltacht (Irish-speaking region) in Western Ireland for at least a year, so that I can be immersed in, and learn more of, the language. Simultaneously write an Irish/English bilingual comic screenplay.
  4. The most important show I’ve written, Killer is My Name, has yet to hit the boards in NYC and that is utmost on my Artistic list.
  5. Also, I would like to see extreme north before it melts.  I would love to be invited on an Arctic expedition with Cape Farewell, like my friend Cynthia Hopkins did.  She made a great show about it.



lDacNiMImeqJ0EdWKjx7q5PzMDO9j36Yil6sBEDtduIIf you could dream of trying something in the arts you haven’t tried, but would like to, what would that be?


Found and sing lead in a band that blends Celt, American-Trad, Jazz, Blues, and Folk Rock with what people call an Alternative sensibility.


What was the best gift that someone gave you that inspired or facilitated an interest in you art?


I have to go with the most recent.  Tristan Grigsby gave me his play, Passing Through, to direct.  His own work put in my hands.  That level of trust has been a great challenge to keep honoring each day.  The play is unusual, somehow in your face and sweet at the same time.  I love doing.


 Ticket information for Passing Through

Guenevere Donohue Facebook Page


Artists Without Walls





Aedin Moloney
Aedin Moloney

I had the pleasure of attending a production of Airswimming at the Irish Repertory Theatre in New York City last night. The play, written by Charlotte Jones, is a Fallen Angel Theatre Company production presented in association with the Irish Repertory Theatre and co-starring Aedin Moloney and Rachel Pickup. The production is the brainchild and creation of its director John Keating and its producer, Aedin Moloney.


Aedin  and Rachel, who co-starred in the Irish Rep’s highly acclaimed production of Dancing at Lughnasa, once again bring their great chemistry to the stage and provide the audience with a wonderful evening of theatre. The play, based on the true story of two women who have been incarcerated in a hospital for the “criminally insane” for having borne illegitimate children, closes next weekend.


If you have an opportunity to get to the theatre this week, I highly recommend Airswimming. I must add, not only are my friends Aedin and Rachel brilliant actresses, but they are very vocal and supportive of other artists in the community and most deserving of our support.

Rachel Pickup
Rachel Pickup


A few snippets from recent reviews:


“As Dora, the no nonsense lifer who alternates between hope of escape and despair that it will never happen, actress Aedin Moloney inhabits the role so completely that her character leaps to life from the opening scene.”


“The chemistry between Moloney and Pickup is excellent. The two actresses connect on a deep level of understanding that is completely necessary in order to pull off a believable friendship developed for half a century.”


“Pickup…charismatic…does a spot-on impression of Doris Day.”


“Moloney is excellent as Dora, lending the character a type of no-nonsense masculinity with deadpan line deliveries and stiff posture.”


Here’s where you need to go for tickets: http://www.irishrep.org/boxoffice.html