Kathleen Bennett Bastis

BLENDING ART AND MUSIC: KATHLEEN BENNETT BASTIS’ “ONE NIGHT STAND”

Two years ago, Kathleen Bennet Bastis’ mixed-media art exhibit was shown at the First Street Gallery. One night featured an event that melded Kathleen’s art with performance art. The night was enormously entertaining and a great success. Click here to read what poet and author Connie Roberts had to say about the evening.

In conjunction with Artists Without Walls, Kathleen will be doing another event on Saturday, May 6, 6:00pm to 10:00pm, called “One Night Stand.” The evening will feature Kathleen’s work and three great jazz musicians, Thana Alexa, Josh Cohen and Nicole Zuraitis

Mark your calendar for what is sure to be a special evening. First Street Gallery is located at 526 W 26th St #209, in Manhattan.

Emotion Packed Evening at Artists Without Walls' Showcase at The Cell Theatre

“Artists Without Walls creates the space—literally and figuratively—for artists of all stripes to be their best selves, to push boundaries, to experiment, to collaborate in a safe, nurturing environment.” That’s what Connie Roberts, poet and author of “Little Witness” has said about an Artists Without Walls’ Showcase. Connie’s words provide a perfect description for Tuesday’s Showcase, which was one of the finest and most emotion packed Showcases in the last few years.

Kathleen Bennett Bastis started the evening with her reading “Man in the Desert” a touching, funny story about how heart break lead her to a spontaneous trip to Burning Man where she found a renewed strength and determination. Who knew that eight days in the desert without a shower could be so cathartic!

Jenna Nicholls delighted the audience with her voice, singing songs that felt like they were torn from the pages of a 1920’s American Songbook. Songs including “Take Me Out Tonight” and “Back to You” reminded us of a forgotten era…

**Kimberly Kelly Adams, Derek Murphy and Karin de la Penha**

Karin de la Penha and Kimberly Adams were wickedly funny in a hysterical scene from Dublin born playwright Derek Murphy’s new play “Dyin’ For It.” The audience were certainly dying for more of Murphy’s very dark, extremely funny, look at what happens when a very unloved loved-one returns home to die, and potentially ruining Christmas. The writing and the acting were razor sharp. Murphy definitely takes no prisoners with his writing, and his actors thrive because of it.

Annette Homann and Alexander Wu recently began collaborating after meeting at an Artists Without Walls’ Showcase. The duo started with Gershwin’s virtuosic “It Ain’t Necessarily So.” Their performance of Piazzolla’s Tango “Milonga de Angel” can best be described as stunning, erotic and breathtaking. Their last piece, Bernstein’s “America” got the audience off their seats.

Here’s what singer Judy Collins said about Walter Parks, “Walter is an extraordinary singer whose songs can break your heart as well as get you dancing….Walter is a musical treasure, an artist of the highest caliber. To hear him is to be lifted into a mystical sphere.” How true, as we once again experienced Walter’s lofty talents, performing songs he wrote “Comin’ Home Holler,” “So Bad, So Good,” and “Butta.” He then asked Annette Homann to join him in “Angel’s Point of View.” What followed was a special moment–exquisite music filled with tension and emotion from two incredible artists. Standing ovations and many hugs followed, particularly for Annette, who announced she will be returning to her native land, Germany, in the very near future. A wonderful evening of artistic expression, good feelings and friendship.

The next Artists Without Walls’ Showcase will be at The Cell Theatre on August 23. Doors and bar open at 6:45. The performances begin at 7:30.

All photos by Vera Hoar.

Vera Hoar's Photos from Artists Without Walls' July Showcase at The Cell Theatre

Vera Hoar’s photos from Artists Without Walls’ Showcase at The Cell Theatre, July 26, 2016

**Closing shot: Joe McElligott, Connie Roberts, Tom Myles, Marty Plevel, Niamh Hyland, Kathleen Bennett Bastis, Charles R. Hale, Annette Homann and Walter Parks**

ARTISTS WITHOUT WALLS PRESENTS: A NIGHT of SUPERIOR TALENTS, JULY 26th at THE CELL THEATRE

Great line up on tap for Tuesday’s Artists Without Walls’ Showcase at The Cell Theatre.

Over the past three decades, Walter Parks has forged a distinctive international career as the lead guitarist for Woodstock legend Richie Havens, half of the folk-duo The Nudes, and guitarist and leader of the swamp/blues-outfit Swamp Cabbage. His original music is inspired by the swampy gospel blues that wails from storefront churches and roadhouses in and around the southeast Georgia low country. We’re looking forward to Walter’s return to an Artists Without Walls’ Showcase.

Playwright Derek Murphy and actors Karin de la Penha and Kimberly Kelly Adams will be making their Artists Without Walls’ debut when they present a scene from a new play Derek is currently writing, a dark comedy set in NY and Dublin, titled “Dyin’ For It.”

**Derek Murphy, Kimberly Kelly Adams and Karin de la Penha**

Would you like to hear a great singer who has performed all over the world and has toured and performed with artists such as Oscar winner Glen Hansard, Amanda Palmer, Angela McClusky (Telepop), Rob Moose, Thomas Bartlett (BonIver /Doveman), Nouvelle Vague and many others? Then you’ll want to come and hear Jenna Nicholls on Tuesday evening. Jenna’s music has been featured in film and television. She’s toured and released two full albums: “Curled Up Toes in Red Mary Janes” and “The Blooming Hour” Her third release is scheduled for 2016.

Richard Deane’s last appearance on an Artists Without Walls’ stage featured an emotionally provocative reading of the opening scene from his novel in progress, “When Yesterday Comes.” His use of poignant atmospherics and straight to the heart exposition pulled the audience into the midst of the dramatic conflict between his vividly constructed characters. Richard’s unabashed exploration into an uncomfortable subject was both captivating and moving.

Pianist and arranger Alexander A. Wu and violinist and composer Annette Homann recently presented “Strings n Keys – Three Centuries of Global Music,” celebrating the popular collaborative tradition of piano and violin. Alexander and Annette will be performing a variety of musical styles from their show including works of Ástor Piazzolla, Leonard Bernstein and more.

Kathleen Bennett Bastis has written prose and poetry all her life and, as a former producer for talk radio, she wrote hundreds of short descriptive “rip and read” segments about neighborhoods, restaurants, product alerts or shopping experiences in the New York tri-state area. She’s had two observations published in The New York Times Metropolitan Diary, and last year she performed her piece on Cyber Dating at an Artists Without Walls’ Showcase. Kathleen is also an accomplished artist whose work is inspired by the hue, shape and texture of salvaged materials she finds on the river, street and scrap yards. She reinterprets the history of these “found objects” by constructing them into a contemporary visual narrative.

The Cell Theatre is located at 338 W23rd St in Manhattan. The show will be hosted by Artists Without Walls’ artistic directors Niamh J. Hyland and Charles R. Hale. The doors and the bar open at 6:45. Presentations begin at 7:30.

KATHLEEN BENNETT BASTIS COMMENTING on ARTISTS WITHOUT WALLS

As Artists Without Walls celebrates its fourth anniversary this month, we’ve asked some members to share a few thoughts about their experience with the group. Here’s what Kathleen Bennett Bastis wrote:

‘The first time I went to an Artists Without Walls’ event I was immediately struck with the sense of community – a palpable vibe that seemed to take “ego” out of the equation – casual yet professional. The talent pool performing at an AWoW event is deep, many with impressive pedigree, bringing a broad range of musical and theatrical artists, dance, spoken word and comedy to their stage. I’m not sure there is anywhere in the city that a spoken word artist shares the stage with a belly dancer. The enthusiasm, variety and the high level of talent rarely wanes and keeps me coming back month after month.”

Mixed media artist Kathleen Bennett Bastis’s work is inspired by the distinctive character, energy and form found in the fragments of discarded, washed up, broken or otherwise overlooked materials which she salvages from the street, river bank and scrap yards. Their unique shape, texture and hue guide her creative process as she reinterprets the history of this detritus and constructs a contemporary visual narrative. Click here to visit her website.

POET CONNIE ROBERTS: PERMUTATIONS, TRANSFORMATION and AWoW–ALL IN ONE NIGHT

Permutations, Transformation and AWoW

by Connie Roberts*

Kathleen Bennett Bastis' Concerto #1 — **Kathleen Bennett Bastis’ Concerto #1**

In this week’s New York Times Style Magazine there is a piece about the 78-year-old experimental performance artist Joan Jonas, who lives in a loft in SoHo and who, since the late-60s, has been practicing her own unique art form: “Jonas has pursued a category-defying, perpetually exploratory practice that melds performance, drawing, film, video, sculpture, installation, sound and literature.” Jonas is a woman not constrained by any discipline. She would have fit in well with the sisterhood of artists—visual, performance, and musical—at the Artists Without Walls: Gallery Series, featuring Kathleen Bennett Bastis’ Permutations at the First Street Gallery, NYC this past Friday night. Mixed media artist Kathleen Bennett Bastis, singer-songwriter Martina Fišerova, violinist Annette Homann and performance artist Allison Sylvia, like Jonas, do not fit neatly into a pre-packaged brand: all are difficult—in the best way possible—to pin down. The aptly named exhibition Permutations served them all well. There was alteration and transformation in spades on the night!

The “art gallery etiquette” was thrown out the (second floor) window: no need to speak in hushed tones as you observed the marvelous surrounding art work in the white on white space. Laughter and conviviality abounded. Kathleen set the tone when she, in addressing the crowd, held up an AARP magazine with an image of Bob Dylan on the cover. Yes, indeed the times are a changin’. Kathleen beautifully (and magnificently) harnesses that sense of flux in her work, transforming and reimagining all kinds of detritus. “She’s the real deal,” someone leaned over and whispered to me. And we AWoWers that night had the best deal in town.

**Niamh Hyland introducing Martina Fiserova**

Martina Fišerova was the first of the evening’s entertainers. And boy did she entertain. In her green, tulle pixie dress and black boots, with guitar in hand, she worked her magic, opening with one of her classic quieter pieces, but, with encouragement from the crowd, embraced her wilder side toward the end, with a dazzling display of guitar work and what can only be described as supernatural vocals. It was riveting to watch and hear.

Allison Sylvia followed on Martina’s heels. Allison, a recent graduate of NYU, is a thinking young woman who melds song, dance, poetry, and chant (for now) in her work—I’ve a feeling she’ll push the envelope even further in future performances—also had the crowd on the edge of their seats. A year or more ago, I’d read snippets from journal entries Allison had written—character sketches she committed to paper as she rode the subway between Manhattan and Brooklyn. And lo and behold, there she was Friday night dramatizing these characters—cello players and unrequited lovers—for an enthralled audience. Just as Kathleen had done in her multi-media pieces, Allison transformed her scraps into art.It’s exciting to watch her perform. And mark my words, she’s only coming into her own.

Annette Homann, our very own lady-in-red, violinist extraordinaire, rounded out the evening’s entertainment. Over the past few years, I’ve seen Annette perform numerous times. She is an amazing musician, a powerhouse of talent. And when she steps on stage, not only are we captivated by her beautiful music, but we are held in the palm of her hand by her beautiful (and beautifully authentic) personality. Her mischievous wit (watch out for that twinkle in the eye!) and hearty laugh wins us over every time. Barefoot and resplendent in a flowing red dress, Annette, segued flawlessly from classical music to pop; in the latter, impishly gyrating exaggeratedly to the swells of Adele’s Skyfall, all to the sheer delight of the audience. This joie de vivre is trademark Annette: a consummate performer. She’s having a damn good time on stage; consequently, so do we.

AWoW co-founders, Niamh Hyland and Charles Hale, did an amazing job as always co-hosting. Their job is very important, as they create the space—literally and figuratively—for artists of all stripes to be their best selves, to push boundaries, to experiment, to collaborate in a safe, nurturing environment. They are also the glorious pied pipers whose charm keeps bringing us back again and again to these marvelous events.

I think Friday night we all left the Permutations exhibition more than a little transformed. Thank you Kathleen, Charles, Niamh, Martina, Allison and Annette.

*Connie Roberts debut collection of poems “Little Witness” is available here: Click on “Buy” on the right hand side of the page

ART UNLOCKS THE SOUL: JOHN MORAN on AWoW's GALLERY SERIES

ART UNLOCKS THE SOUL

by John Moran

I was driving a limousine at the time; It was a late night pick-up, Christie’s auction house to the Upper West Side. An art dealer sat in the back.

“What is art?” I asked.

“Art is the tool which unlocks your soul,” he replied.

“Then what is good art?” I said.

**Kathleen Bennett Bastis-Slate Study #2**

“If your soul needs a hammer to release it and your art hits your soul like a hammer, it’s good,” he answered.

“What if your art twists your soul like a wrench?” I challenged.

“Then it is good for the man who needs the wrench.”

—–

On Friday night Artists Without Walls celebrated the work of Kathleen Bennett Bastis at Chelsea’s First Street Gallery. Her mixed media art works are truly tools to unlock the soul.

Surrounded by Kathleen’s stunning and beautiful creations with names such as Sentinel, Concerto #1, Copper Spirit and Scattered Geometry, the equally evocative and eclectic artists Martina Fiserova, Allison Sylvia, and Annette Homann captivated the crowd with their own forms of highly skilled and entertaining art.

Martina’s accompanied vocals playfully and intensely reverberated through what seemed like near perfect acoustics in Kathleen’s First Street Gallery space. Martina’s sonority so total, so brilliant, so penetrating was a perfect prelude to Allison Sylvia’s attention grabbing, fast paced, stay focused so you don’t miss a thought, hey, I think just learned something about myself, spoken word brand of poetry. Allison is not a rapper, but if Socrates were a rap artist you might think of Allison. Brilliant.

Annette Homann wrapped up the evening’s entertainment by bringing us on a musical theme park ride: Soothing us with the classical, Massenet’s “Meditation on Thais;” moving us with the contemporary, “If I Aint Got You;” thrilling us with her fiddling in Mark O’Connor’s “Caprice for Unaccompanied Violin #2,” and making us smile with a sexy, funny, acrobatic interpretation of Adele’s “Skyfall,” complete with gypsie like dance moves and back bends while never missing a note. She is a profound talent.

Great art on every level for a warm and welcoming crowd.

Annette Homann’s Skyfall below:

PREMIERING AWoW's GALLERY SERIES: "BRILLIANT ACROSS THE BOARD…KATHLEEN, MARTINA, ALLISON and ANNETTE"

There were so many wonderful comments about Friday night’s premier of Artists Without Walls’ Gallery Series, featuring Kathleen Bennett Bastis’ solo exhibition “Permutations,” that we are presenting a number of the comments here, which will be followed by others over the next few days. As you’ll, read and as you’ll see in the photos, it was an incredible night.

“In speaking about the materials that go into her artistic constructs that are on stunning display in her solo exhibition, “Permutations” (at the First Street Gallery in Chelsea), Kathleen Bennett Bastis has said: “Their unique shape, texture and hue guide my creative process.” The same might be said of the collaborative evening Artist Without Walls created at that gallery last night.

In bringing together a trio of performers, guitarist/vocalist Martina Fiserova, violinist Annette Homann and poet/spoken word artist Allison Sylvia— whose talents are perfectly in synch with Kathleen’s vision— it made for an event the likes of which you will rarely, if ever, experience. A melding of artists within the walls adorned by Kathleen’s masterful works… it was a memorable night. Yes, it was that good.” Ron Vazzano

“Visual and performing arts converged at First Street Gallery in Chelsea for a fabulously entertaining evening. The gallery walls were lined with Kathleen Bennett Bastis’ artistic sculptures. Sallie Benton aptly described Kathleen’s work on Facebook: ‘Bastis works primarily in metal; but there are stone & tile pieces, glass and mirrored pieces, cardboard, wire, string, etc. The pieces are quite varied but all have one very strong, exceptional and true artist’s voice.’

Martina Fiserova began the performances with an experimental number, displaying her unique talent on the guitar. Allison Sylvia followed with a ten minute thoughtful and humorous soliloquy on life, a well-written monologue with each word carefully chosen and placed. The inimitable violinist Annette Homan finished the night with pieces ranging from classical to pop. The joy exuded from Annette, particularly during one number when she provocatively engaged the audience with her violin music and playful dance. ” Tom Myles

**Annette Homann, Kathleen Bennett Bastis, Martina Fiserova and Allison Sylvia**

“Lovely and talented! Brilliant across the board; Martina, Allison, Kathleen, and Annette. Happy I was able to attend; super sounds, sights and words – magical evening it was!” Michael Muller

“An extraordinary evening. Unequivocally original. Martina ended her set with a song that was amazing and daring. Equally daring was Allison’s poetry; her words seem to come from the deepest parts of her energetic psyche. And violinist Annette Homann’s performance of “Skyfall” brought the audience to their feet. In a perfect world Annette would team up with Niamh Hyland to do the title track for the next Bond movie.” Sam Adelman

**Ron Vazzano, Kathleen Bennett Bastis and Jenai Huff**

“Thank you for a night that brought back memories of New York City “Happenings” of bygone days.” Joanna Migdal

Last three photos by Vincent Nauheimer

ARTISTS WITHOUT WALLS' MEMBERS: "ON THE TOWN"

Jack O'Connell in The Biscuit Club — **Jack O’Connell in The Biscuit Club**

Running through April 25th, Jack O’Connell, will be starring in the World Premiere of The BISCUIT CLUB, Marianne Driscoll’s canine comedy inspired by The Breakfast Club. Directed by Kira Simring. For ticket info click here Use the code awow for discounted tickets.

Ever wonder what goes on in a kennel when people aren’t around? THE BISCUIT CLUB gives audiences a behind-the-bars peek into Bradley’s Bed & Biscuit, a boarding house for dogs. When an aging Bulldog, a jumpy Beagle, a glamorous Shih Tzu, a grumpy Pit Bull, a champion Airedale Terrier and a wide-eyed Labrador pup are locked together for the night, a doggone good time is in store for all.

—–

AWOW
Artists Without Walls: Gallery Series
Kathleen Bennett Bastis: “Permutations”

Join Kathleen Bennett Bastis and Artists Without Walls on April 10th, 6;30pm at First Street Gallery, 526, W26th St, Suite 209 when Kathleen, in conjunction with AWow, will be celebrating the arts–including Kathleen’s mixed-media art and live entertainment. Complimentary wine, beer and soft drinks will be served. Entertainment during the evening provided by Annette Homann, Martina Fiserova and Allison Syliva.

—–

Soprano Ashley Galvani Bell will be performing in SEÑORA/SIGNORA ROSSINI: A CELEBRATION OF THE LIFE OF ISABELLA COLBRAN on April 10th and 11th, 2015 at 8 pm at the Loretto Theater at the Sheen Center in NoHo, located on the corner of Elizabeth and Bleecker Street in New York City. The show will be presented as a multi-disciplinary concert for classical singers, piano, harp and actor/narrator.

For more information and to order tickets click here. Tickets are $10 for the balcony and $30 for the orchestra. Please note there is $10 discount for orchestra seats using a SPECIAL AWOW DISCOUNT CODE…Divaria1 (Be sure to use a cap D. Case sensitive.)

—–

Musician, storyteller & actor Richard Stillman be playing Irish music at the Verona Inn with guitarist Paul Byrne on Sundays, 6-9pm (April 12 & 19). The music will include vocals, guitar, tenor banjo, mandolin, pennywhistle, concertina, bones, harmonica and bagpipes. The address is: 624 Bloomfield Ave. Verona, NJ. For info. call 973 239 0544.

ARTISTS WITHOUT WALLS: MEMBERS AROUND TOWN

Musician, storyteller & actor Richard Stillman be playing Irish music at the Verona Inn with guitarist Paul Byrne on Sundays, 6-9pm (March 29, April 5, 12 & 19). The music will include vocals, guitar, tenor banjo, mandolin, pennywhistle, concertina, bones, harmonica and bagpipes. The address is: 624 Bloomfield Ave. Verona, NJ. For info. call 973 239 0544.

—–

Kathleen Bennett Bastis’ solo art show opens on March 31-April 25th at First Street Gallery, 526, W26th, Suite 209 in Manhattan. Opening reception is April 2, 6-8pm. “I am inspired by the distinctive character, energy and form found in the fragments of discarded, washed up, broken or otherwise overlooked materials which I salvage from the street, river bank and scrap yards. Their unique shape, texture and hue guide my creative process as I reinterpret the history of this detritus and construct a contemporary visual narrative.” Kathleen Bennet Bastis

—–

Artists Without Walls: Performance Series

“The Musical History of the Lower East Side”

Join members of Artists Without Walls on April 2nd, 7pm, as it journeys through the music of the Lower East Side. Celtic music, Minelstry, Yiddish music and humor, Italian opera and Neapolitan song, Jazz and Rock presented by a talent cast including, Ashley Galvani Bell, Deni Bonet, Maritri Garrett, Niamh Hyland, Noah Hoffeld and Baysa Schecther. And some Yiddish humor from Nancy Redman. Narrated by Charles R. Hale. Rockwood Music Hall, Stage 3, 185 Orchard St, NYC. Tickets $15 and $20. For ticket info click here. Use the code AWWMEMBER for an AWoW discount.

—–

Opening on April 4th and running through April 25th, Jack O’Connell, will be starring in the World Premiere of The BISCUIT CLUB, Marianne Driscoll’s canine comedy inspired by The Breakfast Club. Directed by Kira Simring. For ticket info click here Use the code awow for discounted tickets.

—–

Artists Without Walls: Gallery Series

Kathleen Bennett Bastis: “Permutations”

—–

Soprano Ashley Galvani Bell will be performing in SEÑORA/SIGNORA ROSSINI: A CELEBRATION OF THE LIFE OF ISABELLA COLBRAN on April 10th and 11th, 2015 at 8 pm at the Loretto Theater at the Sheen Center in NoHo, located on the corner of Elizabeth and Bleecker Street in New York City. The show will be presented as a multi-disciplinary concert for classical singers, piano, harp and actor/narrator.