STAGE FRIGHT? HOW I GOT OVER IT

Jason Kirk and John Moran
Jason Kirk and author John Moran

The following was written by Artists Without Walls’ member, John Moran:

———

I have ambitions to actually make acting my next career. Foolish you say! I know. You’re right. It’s a long shot at best and a difficult road lies ahead but having had an interesting and instructive life I believe I’m prepared for both success or failure and am simply grateful to be in a position to try. And try I will. I genuinely want to learn the craft so I am paying attention now to the heavy lifting required by stage acting, such as the concentration needed for Miller’s deceptively simple dialogue, the long emotional monologues of O’Neill or the quick pop and snap needed for much of Mamet’s prose. After that type of work I imagine delivering a line for a TV script will be easier.

 
I’ve always considered myself to be a good public speaker. I communicate clearly. I enjoy it. An audience of ten is great. One-hundred is even better. Public speaking causes me no concern whatsoever. 
 

Kirk and Moran
Kirk and Moran

Keeping the above in mind, what a surprise to me when I auditioned for a spot in an acting studio, was handed a script, stood in front of a crowd of one man and nothing came from my mouth. Not one word. Not a sound did I utter. “That was interesting.” he said. Then yawned. What great fun.

 

Apparently I didn’t have a problem speaking my own words but when the words of another person were substituted such as those of a playwright, nothing good seemed to happen, or at least not until recently.
 

I have many bad qualities but giving up isn’t one of them. For over a year I’ve been working in a scene study class. The teacher, Scott Freeman seems to believe the devil is in the details and the phrase “go back and do it again” is not unheard of. I’ve come a long way since that troubling audition and at last felt competent enough to commit to do a first short scene in front of a genuine audience at an Artist Without Walls’ (AWoW) Showcase in late September.
 

John Moran
John Moran

Showcase time was getting closer and stage fright became the order of the day. Nothing I could do about it. I kept myself busy by taking the day off from work and spending time with an actress rehearsing an entirely different scene from the one I’d be doing that night. The showcase began at seven that evening and as the time grew closer for me to perform I grew……, hmmmm what’s the word I’m looking for? Oh yes, nasty; I grew nasty. I told my partner Jason and my buddy Joe not to talk to me and sat in the garden out back of The Cell theater going over lines I’d said a hundred times before. Then of course I found religion. I have a lot of negative opinions about the state of my church and The Creator himself when all is well, but when the guns are about to go off I can say Hail Mary’s as fast as anyone I know. 
 
After a decade or two of the rosary the time came, my partner Jason and I performed and all was well.
 
For those who would like to step up, but like me are shy and reluctant, I must say that when you present  at an Artists Without Walls’ Showcase you’re among friends. Seize the day. The members of AWoW want to see you do well and regardless of how well you believe you presented your work, they are happy to have you. 
 
You/we/us are the reasons for the existence of an organization like AWoW to begin with. And remember, regardless of your feelings ten PM will come. The showcase will be over. You will have done yourself, and AWoW, a service by sharing your art.  All will be well once again.
 

John Moran

AWoW MEMBERS and FRIENDS' UPCOMING EVENTS: WEEK of 7/28/13

imagesArtists Without Walls presents its “Showcase at The Cell Theater,” 338 W. 23rd St., NYC. Wed., 7pm, July 31. 

 

 

 

 

 

 

Tara O'Grady @ Winnie's LoungeTara O’Grady is performing on Tuesday  and Wednesday at Winnie’s Lounge in the Refinery Hotel, 63 W 38th between 6th & 5th. 6-9pm, no cover or minimum. 

 

 

 

 

_DSC87091Honor Finnegan will be performing at the Falcon Ridge Folk Festival, August 1st – 3rd. Dodds Farm, 44 County Route 7D, Hillsdale, NY. 

 

 

 

 

 

Annette Homann

 

Annette Homann is performing on Saturday, August 3d at Joe’s Pub with rock-songwriter team Creighton Irons and Sean Mahoney. 

 
 

 

 

 

AWoW MEMBERS AND FRIENDS' UPCOMING EVENTS: WEEK OF 7/14/2013

Tara O'Grady @ Refinery HotelTara O’Grady performs with her jazz trio every Tuesday and Wednesday, 6-9pm, in July at Winnie’s Lounge in the Refinery Hotel located at 63 W. 38 Street off 6th Ave. Joining her each week is Dizzie Gillespie’s former guitarist Michael Howell, and Dave Hofstra, one of the most in-demand bassists in New York, having worked with everyone from John Zorn to Marshall Crenshaw.

 

 

 

 

Mark Donnelly is reading his poetry at the IAW&A Salon, The Cell Theatre, 338 West 23rd. St. Tuesday, 7/17, 7-9pm.

 

 

 

_DSC8780Honor Finnegan performing at the Huntington Folk Festival, Saturday, July 20, 2:10 and 2:30 on the lawn at Heckscher Park, Main Street (Route 25A) and Prime Avenue, in Huntington, New York. Free event

 
Honor Finnegan will also be performing at Joni Mitchell’s Blue: A 40th Anniversary Celebration, July 20, 7:00pm at the Beczk Environmental Education Center, 35 Alexander Street, Yonkers, New York. For tickets, which are $1o, click here http://urbanh2o.org/ 

PHOTOS from "AWoW ROCKS THE LIVING ROOM" 5/24/13

A great time was had by all at AWoW’s Friday night event at the Living Room. Thanks to Vera Hoar who stepped up at the last minute to take all these great photos.  There’ll be more photos tomorrow, as well as a wrap-up of the evening’s events.  Names appear above the photos.

 

Karyn Oliver

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Jim Rodgers

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Sasha Papernik

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Jack O’Connell

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Anand Gan, Niamh Hyland, Art Lamonica

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Tami Lynn, Sasha Papernik,  Tara O’Grady

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In “The Living Room”

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"SPOTLIGHT ON" SINGER/SONGWRITER SALINA SIAS

 

th-6Who is Salina Sias?

 

If you were recording this interview, I’d be laughing.  And then, maybe, laughing some more.  The tough question first? That’s the name I was born with; I’ve only been using it professionally a few years. I have a new stage name waiting in the wings, but that’s still a secret.

 

A notable producer and new friend once said to me, “If you’re born 7 feet tall, you play basketball. If you’re born feeling everything too deeply, you create.”

 

I’ve been singing since I was 8 and writing all kinds of nonsense since 12.

 

image_3456169.jpgDo you have upcoming events you’d like people to attend?

 

I’m in recording mode, yet I do have a set coming up on Thursday, June 13, 8PM at Two Moon Art House & Cafe. I’ll be performing along with this great duo from California, David and Olivia, in celebration of their album release. Info/Details/Updates on my social media page: Salina Sias Music Facebook Page

 


What is/are your favorite songs/albums?

 

In this moment without thinking too hard, because then I would go on and on:

  • Adagio for Strings (Barber)
  • Air on a G String (Bach)
  • What a Wonderful World
  • God Bless the Child
  • Les Triplettes de Belleville Soundtrack 
  • Tom Waits’ Mule Variations 
  • Eminem’s The Eminem Show 
  • And many, many more….

 

 

salina rockwood Andrea wattsWho are the songwriters you admire?

 

Tom Waits, The Bee Gees, Mercer, Gershwin, Leonard Cohen, Tori Amos, I could ramble on…and currently I’m admiring Anna Ternheim from Sweden.

 

 

Who is your greatest inspiration and why?

 

People inspire me; the connections I make inspire me.

My children.  Above all else, they breathe new life into mine every day.

 

1357756239_Salina_RockwoodWhat are the top five things you’d like to accomplish in the next five years?

 

Mount an episodic play I began writing in 2001

Write a song I can sing with a youth chorus

Write & record a few songs in Spanish

Perform in places I’ve never visited

Sing/Collaborate with more great singer-songwriters

Buy a house (Shoot. You asked for five.)

 

 

6884681104_c85bebabec_zIf you could dream of trying something in the arts you haven’t tired, but would like to, what would that be?

 

Audition for SNL

I do have some experience in comedic acting.  But still.  SNL.

 


What was the best gift that someone gave you that inspired or facilitated an interest in your art?

 

Encouragement.  From one teacher.

 

 

Salina Sias Website 

Salina Sias Facebook Page

"SPOTLIGHT ON" PLAYWRIGHT/DIRECTOR/ACTOR DON CREEDON

Don Creedon
Don Creedon

 Who is Don Creedon?

 

Due to recent overexposure to mystical readings (and Flan O’Brien), Don Creedon is beginning to suspect that he only exists as a product of his own imagination.  That imagination currently tells him he is a playwright, screenwriter, director, actor, and producer, originally from Dublin, Ireland and now living and working in New York.  His plays include The Lobby, Celtic Tiger Me Arse, Shackled, Divine Intervention, Dry Rot, and Guy Walks Into a Bar (winner Audience Award for Best Play 1st Irish Festival 2010).  Imagined screenplays include A Very Married Man, Mir Friends, and Work of God.  He also seems to have directed numerous other plays and is the president/founding member of Poor Mouth Theatre Company, which appears to be based in An Béal Bocht Café in Riverdale, the Bronx.

 

Do you have upcoming events you’d like people to attend?

 

A reading of a new rewrite of my first play The Lobby, an Irish comedy farce.  This reading will be public, not just in my own head.  I think.  Date and venue TBD.

 

Guy Walks Into a Bar - with Bill Rutkoski and Walter Michael Deforest, written and directed by Don Creedon
Guy Walks Into a Bar – with Bill Rutkoski and Walter Michael Deforest, written and directed by Don Creedon

What is your favorite dramatic work/s?

 

The Misanthrope, Noises Off, Loot, Juno and the Paycock, The Beauty Queen of Leenane, Much Ado About Nothing, To Be or Not to Be, Bringing Up Baby, The Philadelphia Story, Father Ted, Nurse Jackie, Arrested Development, Fawlty Towers, any Laurel & Hardy.

 

Who are the playwrights (and writers) you most admire?

 

Molière, David Ives, Christopher Durang, Joe Orton, Caryl Churchill, Beckett, Pinter, Martin McDonagh, Flan O’Brien, Jennifer Egan, Joseph Heller, Dave Eggers, Salinger, PG Wodehouse, Roddy Doyle.  Oh…and Shakespeare (esp. the comedies).

 

Who is your greatest inspiration and why?

 

Bob Dylan, for his timeless imagery, unique mode of expression, continuing relevance, complete disregard for public opinion, his “never-ending tour”, and the relentless pursuit of his vision.  I consider him today’s Shakespeare.

 

Shackled - with Katherine O'Sullivan, Andy Fitzpatrick and Bronagh Harmon, written and directed by Don Creedon
Shackled – with Katherine O’Sullivan, Andy Fitzpatrick and Bronagh Harmon, written and directed by Don Creedon

What are the top five things you’d like to accomplish in the next five years?

 

  1. Have my latest full-length plays The Lobby and Dry Rot produced outside of my head.
  2. Adapt my screenplay Work of God for the stage.
  3. Rewrite the play Spudmunchers (with Colin Broderick).
  4. Continue to produce new, original work at Poor Mouth Theatre Company—keeping the Bronx safe for theatre!
  5. Achieve nirvana.

 

If you could dream of trying something in the arts you haven’t tried, but would like to, what would that be?

 

  • A one-man show with me in it.
  • A two-man show with me playing both parts.
  • A three-man show with me playing all three parts.
  • I think you get the drift.
Boys Swam Before Me - at Poor Mouth Theatre Company, written by Seamus Scanlon, directed by Don Creedon, featuring Katherine O'Sullivan and Paul Nugent
Boys Swam Before Me – at Poor Mouth Theatre Company, written by Seamus Scanlon, directed by Don Creedon, featuring Katherine O’Sullivan and Paul Nugent

What was the best gift that someone gave you that inspired or facilitated an interest in your art?

 

An A for an English essay in secondary school.  (In Ireland, A’s for anything are quite rare—they don’t like to over-encourage!).  Before that, I didn’t know I had a “voice”.

 

 

 

 

 

 

Don Creedon Facebook Page

Poor Mouth Theatre Company Facebook Page

Poor Mouth Theatre Company Website

AWoW MEMBERS and FRIENDS’ UPCOMING EVENTS: THE WEEK of 5/19

Niamh Hyland
Niamh Hyland

 

 

 

 

Niamh Hyland will be singing at the Irish Arts Center’s “Sunday at Seven.” Tonight, May 19, 7pm at the Irish Arts Center, 553 West 51st, NYC. Tickets $10. Ticket Information

 

 

 

 

 

 

Annette Homann
Annette Homann

 

 

 

Violinist Annette Homann will be appearing in “What I’m Failing to Learn.” Wed., May 22, 7pm at the 13th Street Repertory Theatre, 50 W. 13th St., NYC. Tickets $25. Ticket Information

 

 

 

 

CD Cover FINAL

 

 

 

 

Tara O’Grady will be launching her CD “A Celt in the Cotton Club” and performing at Mary O’s, 32 Avenue A, NYC. Thursday, May 23, 7pm. Tara O’Grady Music

 

 

 

 

 

 

Mary McPartlan
Mary McPartlan

 

 

 

Singer/songwriter Mary McPartlan and pianist Bertha Hope will be performing at ZirZamin, 90 West Houston Street, Friday, May 24, 7:30pm. Tickets $20. 

 

 

 

 

Moley and Owen 'O Suilleabhain
Moley and Owen ‘O Suilleabhain

 

 

 

 

Koro Koroye and Owen and Moley O’Suilleabhain will be performing at the “LES Festival of the Arts,” in the Johnson Theater, The Theater for the New City, 155 First Avenue, NYC. Friday,

Koro Koroye
Koro Koroye

May 24, 11pm. Free event

"ON THE TOWN" with TARA O'GRADY: "A CELT IN THE COTTON CLUB" CD LAUNCH

CD Cover FINALCome join AWoW member, Tara O’Grady, for her A Celt in the Cotton Club CD Launch Party – Thursday, May 23 at Mary O’s, 32 Avenue A at 7:00pm. This is the third album from the New York singer-songwriter whose voice can only be described as a Celt in the Cotton Club. Tara O’Grady swings original songs as well as some traditional Irish tunes and re-baptizes them to sound like Billie Holiday is back! 

 

 

ogrady-in-black-hrThe title of Tara’s third album comes from a bass player in Nashville who upon hearing her sing in the Tennessee recording studio, tweeted the current title to describe her voice. Her original songs were inspired by Irish people she met from Belfast to Butte, and everywhere in between. And she throws in a few favorite Irish traditional tunes for good measure – a swinging rendition of ‘Go Lassie Go,’ a smoky version of ‘Black is the Color,’ bossa nova style, and a blues inspired ‘Too Ra Loo Ra,’ the famous Irish lullaby that in no way lulls the listener to sleep. Inspired by Belfast native Van Morrison, her brother Tom O’Grady composed the music for ‘To Be Missing the Sun’ and ‘La Dee Da,’ and the featured saxophonist/clarinetist Michael Hashim co-wrote ‘That’s What the Miners Would Say,’ a tribute to the Irish immigrants who died in a historic fire in Butte, Montana. Tara’s Celtic connections are woven throughout every inch of this musical tapestry, including a tribute to Billie Holiday in the song ‘Gardenia Girl,’ revealing Lady Day’s Celtic bloodlines.

 

 

photo-fullThe band will be swinging live at Mary O’s, a favorite New York venue of Tara O’s.  It’s owner, Mary O’Halloran, a Roscommon native, is one of the friendliest restauranteur’s in town. No cover, no minimum. Just music and merriment. And a signed copy of Tara’s new CD. 

AWoW presents MARY McPARTLAN and BERTHA HOPE at NYC's ZirZamin, FRIDAY, MAY 24th

 

Mary McPartlan
Mary McPartlan

A special and unique collaboration has begun  between the Irish Folk singer Mary McPartlan (who is in New York on a Fulbright Scholarship) and Jazz pianist Bertha Hope, one of the great exponents of the jazz idiom. Mary and Bertha, who both embrace AWoW’s multicultural approach to the arts, met when they each performed at an AWoW Showcase earlier in the year. The two women quickly hit it off and embarked on a new collaborative effort, which combines Mary’s Irish folk style and Bertha’s jazz piano.

 

Mary McPartlan has a high profile in Ireland as a  tradional and contemporary folk singer with extensive rave reviews for two recent award winning albums The Holland Handkerchief and Petticoat Loose.  Mary recently recorded a song with a poem from the now President of Ireland Michael D Higgins dedicated to the Chilean poet Victor Yara.  Mary McPartlan Website

 

Bertha Hope
Bertha Hope

Bertha Hope has led an all american women’s ensemble JASSBERRY JAM for 15 years and is prominent on the jazz scene in the tri-state area. Bertha Hope Website

 

The collaboration and the making of this exciting piece of art will take place at ZirZamin, 90 West Houston, Friday, May 24 2013, 8pm. The doors will open at 7.30pm promptly and early arrival is clearly recommended. Click here for further details.

COLIN BRODERICK and JOSH BROLIN: BOOK LAUNCH TONIGHT at BARNES AND NOBLE in TRIBECA, NYC

‘THAT’S THAT” Official Book Trailer

 

Colin Broderick and Josh Brolin
Colin Broderick and Josh Brolin

Join us tonight at Barnes and Noble’s Tribeca Store, 97 Warren Street, 7pm, for the official launch of Colin Broderick’s That’s That.  AWoW member Broderick will be introduced and interviewed by his friend, actor Josh Brolin. The event is also being filmed for what will be the final scene of the long awaited biographical feature documentary based on Colin’s first book Orangutan. Following the launch, everyone is invited to the after party at Scratcher’s, 209 E. 5th St, in the East Village. It’s sure to be a great night!

 

Here’s a short excerpt from That’s That

 

“Seen from the window of a plane Ireland is a patchwork quilt, little square fields of green stitched together by thin rows of thorns; spring green, fern green, forest green, pine, sea and shamrock green. From above, she is clean, mystical, magical to behold. That is her first great act of deceit, her lush, rolling beauty the first betrayal of her truth, for on the ground, and deeper still, buried beneath that verdant lawn is her pain; underneath, there is blood.

 

Colin Broderick
Colin Broderick

I assume you’ve heard bits and pieces of the history of Ireland already, some of the landmark atrocities that have made international news over the years, or perhaps you’ve heard snippets grumbled over small glasses of amber in the dim light of a smoky tavern in the Bronx, stories of the long and bitter hatred between the English and the Irish, of heroic young men in balaclavas, petrol bombs being hurled into the dark night, monuments of flame on the claustrophobic streets of Belfast, the ghosts of skeletal boys, naked and excrement-smeared, starving themselves to death in the cold cells of the H-Block. And if you did receive your Irish history lesson in a bar from some furtive creature with a brogue, then as the night wore on, you surely heard about his mother also, for every drink poured in an Irish bar leads back to the mother. As you may well know, there is no mother like the Irish mother, and there is no love more wounded and fierce than the love between an Irish mother and her son.

 

In honor of that age-old tradition I, too, will start with the history. (The mother I will get to in just a little bit.)”