Allison Sylvia

POET CONNIE ROBERTS: PERMUTATIONS, TRANSFORMATION and AWoW–ALL IN ONE NIGHT

Permutations, Transformation and AWoW

by Connie Roberts*

Kathleen Bennett Bastis' Concerto #1 — **Kathleen Bennett Bastis’ Concerto #1**

In this week’s New York Times Style Magazine there is a piece about the 78-year-old experimental performance artist Joan Jonas, who lives in a loft in SoHo and who, since the late-60s, has been practicing her own unique art form: “Jonas has pursued a category-defying, perpetually exploratory practice that melds performance, drawing, film, video, sculpture, installation, sound and literature.” Jonas is a woman not constrained by any discipline. She would have fit in well with the sisterhood of artists—visual, performance, and musical—at the Artists Without Walls: Gallery Series, featuring Kathleen Bennett Bastis’ Permutations at the First Street Gallery, NYC this past Friday night. Mixed media artist Kathleen Bennett Bastis, singer-songwriter Martina Fišerova, violinist Annette Homann and performance artist Allison Sylvia, like Jonas, do not fit neatly into a pre-packaged brand: all are difficult—in the best way possible—to pin down. The aptly named exhibition Permutations served them all well. There was alteration and transformation in spades on the night!

The “art gallery etiquette” was thrown out the (second floor) window: no need to speak in hushed tones as you observed the marvelous surrounding art work in the white on white space. Laughter and conviviality abounded. Kathleen set the tone when she, in addressing the crowd, held up an AARP magazine with an image of Bob Dylan on the cover. Yes, indeed the times are a changin’. Kathleen beautifully (and magnificently) harnesses that sense of flux in her work, transforming and reimagining all kinds of detritus. “She’s the real deal,” someone leaned over and whispered to me. And we AWoWers that night had the best deal in town.

**Niamh Hyland introducing Martina Fiserova**

Martina Fišerova was the first of the evening’s entertainers. And boy did she entertain. In her green, tulle pixie dress and black boots, with guitar in hand, she worked her magic, opening with one of her classic quieter pieces, but, with encouragement from the crowd, embraced her wilder side toward the end, with a dazzling display of guitar work and what can only be described as supernatural vocals. It was riveting to watch and hear.

Allison Sylvia followed on Martina’s heels. Allison, a recent graduate of NYU, is a thinking young woman who melds song, dance, poetry, and chant (for now) in her work—I’ve a feeling she’ll push the envelope even further in future performances—also had the crowd on the edge of their seats. A year or more ago, I’d read snippets from journal entries Allison had written—character sketches she committed to paper as she rode the subway between Manhattan and Brooklyn. And lo and behold, there she was Friday night dramatizing these characters—cello players and unrequited lovers—for an enthralled audience. Just as Kathleen had done in her multi-media pieces, Allison transformed her scraps into art.It’s exciting to watch her perform. And mark my words, she’s only coming into her own.

Annette Homann, our very own lady-in-red, violinist extraordinaire, rounded out the evening’s entertainment. Over the past few years, I’ve seen Annette perform numerous times. She is an amazing musician, a powerhouse of talent. And when she steps on stage, not only are we captivated by her beautiful music, but we are held in the palm of her hand by her beautiful (and beautifully authentic) personality. Her mischievous wit (watch out for that twinkle in the eye!) and hearty laugh wins us over every time. Barefoot and resplendent in a flowing red dress, Annette, segued flawlessly from classical music to pop; in the latter, impishly gyrating exaggeratedly to the swells of Adele’s Skyfall, all to the sheer delight of the audience. This joie de vivre is trademark Annette: a consummate performer. She’s having a damn good time on stage; consequently, so do we.

AWoW co-founders, Niamh Hyland and Charles Hale, did an amazing job as always co-hosting. Their job is very important, as they create the space—literally and figuratively—for artists of all stripes to be their best selves, to push boundaries, to experiment, to collaborate in a safe, nurturing environment. They are also the glorious pied pipers whose charm keeps bringing us back again and again to these marvelous events.

I think Friday night we all left the Permutations exhibition more than a little transformed. Thank you Kathleen, Charles, Niamh, Martina, Allison and Annette.

*Connie Roberts debut collection of poems “Little Witness” is available here: Click on “Buy” on the right hand side of the page

ART UNLOCKS THE SOUL: JOHN MORAN on AWoW's GALLERY SERIES

ART UNLOCKS THE SOUL

by John Moran

I was driving a limousine at the time; It was a late night pick-up, Christie’s auction house to the Upper West Side. An art dealer sat in the back.

“What is art?” I asked.

“Art is the tool which unlocks your soul,” he replied.

“Then what is good art?” I said.

**Kathleen Bennett Bastis-Slate Study #2**

“If your soul needs a hammer to release it and your art hits your soul like a hammer, it’s good,” he answered.

“What if your art twists your soul like a wrench?” I challenged.

“Then it is good for the man who needs the wrench.”

—–

On Friday night Artists Without Walls celebrated the work of Kathleen Bennett Bastis at Chelsea’s First Street Gallery. Her mixed media art works are truly tools to unlock the soul.

Surrounded by Kathleen’s stunning and beautiful creations with names such as Sentinel, Concerto #1, Copper Spirit and Scattered Geometry, the equally evocative and eclectic artists Martina Fiserova, Allison Sylvia, and Annette Homann captivated the crowd with their own forms of highly skilled and entertaining art.

Martina’s accompanied vocals playfully and intensely reverberated through what seemed like near perfect acoustics in Kathleen’s First Street Gallery space. Martina’s sonority so total, so brilliant, so penetrating was a perfect prelude to Allison Sylvia’s attention grabbing, fast paced, stay focused so you don’t miss a thought, hey, I think just learned something about myself, spoken word brand of poetry. Allison is not a rapper, but if Socrates were a rap artist you might think of Allison. Brilliant.

Annette Homann wrapped up the evening’s entertainment by bringing us on a musical theme park ride: Soothing us with the classical, Massenet’s “Meditation on Thais;” moving us with the contemporary, “If I Aint Got You;” thrilling us with her fiddling in Mark O’Connor’s “Caprice for Unaccompanied Violin #2,” and making us smile with a sexy, funny, acrobatic interpretation of Adele’s “Skyfall,” complete with gypsie like dance moves and back bends while never missing a note. She is a profound talent.

Great art on every level for a warm and welcoming crowd.

Annette Homann’s Skyfall below:

PREMIERING AWoW's GALLERY SERIES: "BRILLIANT ACROSS THE BOARD…KATHLEEN, MARTINA, ALLISON and ANNETTE"

There were so many wonderful comments about Friday night’s premier of Artists Without Walls’ Gallery Series, featuring Kathleen Bennett Bastis’ solo exhibition “Permutations,” that we are presenting a number of the comments here, which will be followed by others over the next few days. As you’ll, read and as you’ll see in the photos, it was an incredible night.

“In speaking about the materials that go into her artistic constructs that are on stunning display in her solo exhibition, “Permutations” (at the First Street Gallery in Chelsea), Kathleen Bennett Bastis has said: “Their unique shape, texture and hue guide my creative process.” The same might be said of the collaborative evening Artist Without Walls created at that gallery last night.

In bringing together a trio of performers, guitarist/vocalist Martina Fiserova, violinist Annette Homann and poet/spoken word artist Allison Sylvia— whose talents are perfectly in synch with Kathleen’s vision— it made for an event the likes of which you will rarely, if ever, experience. A melding of artists within the walls adorned by Kathleen’s masterful works… it was a memorable night. Yes, it was that good.” Ron Vazzano

“Visual and performing arts converged at First Street Gallery in Chelsea for a fabulously entertaining evening. The gallery walls were lined with Kathleen Bennett Bastis’ artistic sculptures. Sallie Benton aptly described Kathleen’s work on Facebook: ‘Bastis works primarily in metal; but there are stone & tile pieces, glass and mirrored pieces, cardboard, wire, string, etc. The pieces are quite varied but all have one very strong, exceptional and true artist’s voice.’

Martina Fiserova began the performances with an experimental number, displaying her unique talent on the guitar. Allison Sylvia followed with a ten minute thoughtful and humorous soliloquy on life, a well-written monologue with each word carefully chosen and placed. The inimitable violinist Annette Homan finished the night with pieces ranging from classical to pop. The joy exuded from Annette, particularly during one number when she provocatively engaged the audience with her violin music and playful dance. ” Tom Myles

**Annette Homann, Kathleen Bennett Bastis, Martina Fiserova and Allison Sylvia**

“Lovely and talented! Brilliant across the board; Martina, Allison, Kathleen, and Annette. Happy I was able to attend; super sounds, sights and words – magical evening it was!” Michael Muller

“An extraordinary evening. Unequivocally original. Martina ended her set with a song that was amazing and daring. Equally daring was Allison’s poetry; her words seem to come from the deepest parts of her energetic psyche. And violinist Annette Homann’s performance of “Skyfall” brought the audience to their feet. In a perfect world Annette would team up with Niamh Hyland to do the title track for the next Bond movie.” Sam Adelman

**Ron Vazzano, Kathleen Bennett Bastis and Jenai Huff**

“Thank you for a night that brought back memories of New York City “Happenings” of bygone days.” Joanna Migdal

Last three photos by Vincent Nauheimer

"AWoW, WHERE ANYTHING CAN HAPPEN"

“AWoW, where anything can happen.” Vera Hoar

And Tuesday night’s “anything” was a distinctly multi-cultural night with performers from Macedonia, Bulgaria, Serbia, Ireland, Puerto Rico, the Czech Republic, Germany and the United States. As member Jim Rodgers once said, “It’s proof that AWoW is becoming the United Nations of the cultural scene here in New York City.”

Tuesday night’s Showcase started off with a delightful taste of chamber music. The Trio Samovili, comprised of Macedonian soprano Gabriela Gyorgeva, Serbian flutist Ana Tanasijevic and Bulgarian pianist Aleksandra Kocheva performed three pieces consisting of two arias by GF Handel: Piangero la Sorte Mia (Giulio Cesare) and Ombra Mai Fu (the famed Largo from Xerxes) and culminating with a traditional Macedonian song Zajdi Zajdi Jasno Sonce, which is considered an anthem of the Balkan area. Through their interpretation you could easily feel the special emotions of homeland and the spirit of the Balkan.

In celebration of this month’s 35th anniversary of The National Women’s History Project, Joanna C. Migdal read “Good Night, Noises Everywhere”, a cento (collage-poem) she had composed of lines by 45 of some of her favorite women poets of the past. The audience (including the men!) were moved as the lines of her poetic soliloquy expressed universal and timeless frustrations and anxieties of these women.

With a commanding stage presence and vivacious poems of triumph, tribute, and forgiveness, I.S. Jones’s poetry stunned the audience at AWoW. Her brilliant and heart-warming verse brought the audience from roaring amens to a celebration of the “black body.” I.S. was a delight to experience. We hope to see her again…and again.

Ashley Bell thrilled the crowd with a beautiful performance of Bach/Gounod’s Ave Maria. She then joined forces with Artists Without Walls’ regular, violinist Annette Homann, for an impromptu, spectacular rendition of “The Prayer” by David Foster.

Allison Sylvia performed her anti-strophe, edon.adan, at this past week’s showcase. “I am endlessly grateful for the opportunity to perform for such a supportive audience,” she said. “There are few words to describe how exciting it was that the audience ‘clapped [that they] believed in fairies.” This is one talented young lady, whose greatness is early in its ascendance.

**Larry Fleischman and Courtney Torres**

The opening scene, excerpted from Brendan Connellan’s new play Savage, was just the mix of unsettling darkness and bubbling farce that you might expect from some of his prior pieces, POMPA POMPA, Kill the Bid! or Death, Please! Courtney Torres and Larry Fleischman fully captured the awkward daughter-father dynamic as she dropped on him a very unexpected and somewhat unwelcome piece of news. Mary Tierney directed with great imagination and verve. The full play should be completed in the coming months so the fall out will be further explored! Expect further mayhem!

Martina Fiserova closed out this month’s AWoW Showcase with another spellbinding performance. During her three song set of “Silver Streams,” “Song For Brian” and “A Well” you could hear a pin drop as she wowed the crowd with her voice, her guitar, the piano and the poignant stories she told about where she received the inspiration for the songs. As AWoW member Mitch Traphagen posted after the performance ‘”Go to her shows, look on YouTube — whatever you have to do — she is worth it. An incredible talent.”

Another great evening of multi-cultural talent. The next Artists Without Walls’ Showcase at The Cell will be on April, 28, 6:45pm.

Photos by Vera Hoar.

AWoW's SHOWCASE AT THE CELL, MARCH 24, 2015: THE PHOTOS of VERA HOAR and MITCH TRAPHAGEN

The wonderful photographs of Vera Hora and Mitch Traphagen capture the spirit of another exciting evening of performances at The Cell Theatre, last Tuedsay, March 24th.

**Lynnell Herzer and Zofia Stefanowicz**

"TALENTED PERFORMERS, FRIENDLY PEOPLE and TIME to MINGLE": AWoW's SHOWCASE at THE CELL THEATRE, TUESDAY 3/24

“As a first time visitor of an AWoW Showcase, I enjoyed everything about the evening…. Talented performers, friendly people, time to mingle … fantastic. I will be back for certain.” Clyde Berger

Ashley Galvani Bell has performed as a soloist in the United States, Italy, Spain, France and Russia. Recent performances include Donna Anna in Don Giovanni in Narni, Italy, Musetta in La Bohème at the National Opera Center, and Norina in Don Pasquale with Rioja Lirica in Spain, where she was called unstoppable in her brilliant singing and a true “stage animal” with her hilarious interpretation of the two sided character of Norina/Sofronia. This will be the popular soprano’s third appearance at an AWoW Showcase.

I.S. Jones is a spoken word poet hailing from Southern California. She moved to New York to pursue her passion for poetry. Her intense fire & honesty brims through every performance; It has been said she has a voice bigger than her body. Her works have appeared in Chaparral, The Harpoon Review, Fat City and various others literary magazine.

Mary Tierney will be directing a scene from Brendan Connellan’s Savage. According to Mary, “We’ve given it the Ingmar Bergman treatment. In Sweden, he’d rehearse actors from the National Theater for six months before a production was ‘ready.’ That’s what our actors, Larry Fleishman and Courtney Torres have done. ” Fleischman, has performed at a number of AWoW Showcases, and Torres, who recently performed at Beal Bocht in Sacred Sow, will be making her AWoW debut.

Prague born singer/songwriter Martina Fiserova has established a following on the NYC music scene with her unique songwriting approach and intimate and emotional vocal performance. She is finishing up an album of her original music, which will be her second release after the jazz oriented debut Clearing Fields.

Alison Sylvia is a “poet.in.progress,” and Tuesday, she will connect her poems with dance. Allison dazzled the audience with a spellbinding performance of her epic poem “Scroll” at her first AWoW appearance. “I am honored to have performed for such a receptive audience and to share the space with such talented artists,” she said. “That was the first performance I’ve done where I summoned the appropriate chutzpah to make the concluding sword trick work.” Her’s was an absolutely mesmerizing performance.

Gabriela Gyergeva was born in Macedonia and studied at University in Bulgaria, majoring in opera and voice. Gabriela performed extensively in Bulgaria and Macedonia before moving to NYC three years ago. Last year she performed at Carnegie Hall and the Mono No Aware film festival in Brooklyn. Currently Gabriela performs at St. Francis Xavier church in the city.

Joanna Migdal is a poet working on a chapbook of centos, one of which she is reading Tuesday night in honor of women poets of the past as part of the celebration of March Women’s History Month. Her cento will be posted 3/31 on a site called www.womenyoushouldknow.com

AWoW’s Showcase is hosted by The Cell Theatre, located at 338 W23rd St., NYC. Drinks at 6:45; the show begins at 7:20. Hope to see you then.